
In my Sunday Spotlight column, I offer an excerpt from the latest edition of the Beehive Book Club. Here's the extended entry:
Books are amazing, aren't they? I'm in awe of them because they can be portable little worlds, all compact and self-contained, that you can drop into at any time. It enthralls me when a book wraps me up in its comfy little world as if I'm breathing its air, smelling its smells, feeling its vibrations, knowing its characters. To me, it's the tone of a book that really sells it: If, when I'm away from a book, I actively anticipate and even crave crawling back between its pages, then it's a winner for me.

I've read quite a few books since my last edition of the Beehive Book Club back in May, from classics and biographies to contemporary novels and science fiction. (Newcomers: I envision this occasional series as kind of a "virtual" club of people bound together not so much by common titles but simply a love of reading; I tell you what I'm reading, and you tell me, and we get a sense of satisfaction by knowing there are other people out there who love text in an image-based world.) The title that sticks in my mind is a definite oldie: W. Somerset Maugham's "Of Human Bondage," a wallop of a novel. It isn't the cheeriest experience, mind you. Maugham is no hyperactive optimist. Yet this amazingly meaty, compelling story of a club-footed orphan boy growing up in late 19th Century England isn't just doom and gloom.