You have right around two months to put an entry together before the deadline, 11:59 p.m. May 12, but the first 20 entries get screened, so there’s benefit in getting yours in early. Films must be under 4 minutes suitable for all ages. Submission is free and open to the public (film makers of all ages are encouraged).
Swede Fest XII (that’s 12 for those who don’t count in Rocky numerals) happened this weekend at the Tower Theatre. It was a packed house.
While the semi-annual celebration of sweded films isn’t actually judged, The Beehive has made it habit to hand out awards for what we see as the best of the fest. You can see all the entries at Swede Fest site. Winners receive their names in this post (which they can feel free to link on IMDB) and my sincerest admiration (seriously, the efforts are inspiring).
Though it’s called Swede Fest, Fresno’s semi-annual (that mean’s twice a year, right?) celebration of sweded films isn’t judged like many festivals (It’s not judged at all). But being the arbiters of art that we are, we here at The Beehive have taken to handing out awards for what we see as the best of the fest. Swede Fest XI happened last night at a packed Tower Theatre. You can see all the entries at Swede Fest site. Winners receive their names in this post, which they can feel free to link on IMDB.
Fresno’s favorite low- (or no) budget film festival, Swede Fest, returns to the Tower Theatre 6 p.m. May 19. For those not familiar, this is the only film festival dedicated to sweded films. A “sweded” film is a summarized recreation of a Hollywood movie using friends as actors (and directors and camera people). Homemade props and costumes are also encouraged. This will be the festival’s 11th installment.
Before the festival, Fresno Filmworks will present a special screening of “Be Kind Rewind,” the 2008 film that inspired the whole “sweding” movement. Tickets are $5 and are available in advance at the Tower Theatre box office or the Filmworks website. Admission to Swede Fest is free.
If you are interest in submitting a film, entries are being accepted through May 13. You have until 11:59 p.m. Films should be under four minutes in length and suitable for all ages. Contact organizers for more information on the event, rules for submission or to see entries from past Swede Fests.
Would-be film makers: It’s time to pull that cardboard out of recycling, sharpen up the box cutters and get to work on costumes for the next Swede Fest.
You have until May 13 to come up with your take on a film classic for entry into Swede Fest 11. Once again, only the first 20 entries will be accepted, so even though the deadline is two-months out you’ll want to get to work ASAP.
Other stuff to remember: The time limit is 4 minutes, the film must be suitable for all ages and contain no content that violates any law.
On a Swede Fest note: Organizers Bryan Harley and Roque Rodriguez say Sunday’s event, its first at Tower Theatre, drew 500 people, which is a good crowd for the Tower, which seats about 761. Other swedes from the festival should be up today. Check swedefest.com.
1. SWEDE IT UP Swede Fest is bigger and better, back for its 10th installment Sunday. It’s happening at Tower Theatre, a dream realized for organizers of this quirky film festival. It showcases low-budget parodies made by everyone from average joes to seasoned pros. Creativity, ingenuity and a sense of humor are king at Swede Fest, so you never know what you’re going to see. It’s free and open to movie lovers of all ages. For more on Swede Fest’s growth and rise to popularity, read this Q & A with the organizers. [More]
Swede Fest is back on Nov. 11 for its tenth installment — yes, tenth. How cool is that this funky little event has stuck around as long as it has and continued to grow? Signs of that growth are definitely evident this time.
This newest Swede Fest has two cool new things going for it: It’s moving to the Tower Theatre this time (the most fitting home, methinks) and Fresno Arts Council is on board now to award $50 “micro” swede grants. Deadline to apply for the grants is Tuesday, Oct. 23. More info on the Swede Fest site.
If you’re unfamiliar with Swede Fest, it’s a homegrown film festival started by Roque and Bryan from Dumb Drum. Inspired by the film “Be Kind Rewind,” Swede Fest invites people to remake a movie as a “swede” — a low-budget parody, where humor and creative use of props often trumps film-making acumen. The point, simply, is to get people interested in making movies, while having some fun in the process.
Since Swede Fest’s humble beginnings (in a small downtown art gallery), it’s grown to the point where it draws standing-room-only crowds and gets national press exposure (NPR, yo!) Even with that, the point is still the same: Anybody is welcome to create a swede of their favorite film. Deadline to submit one is Nov. 5, so you better get working.
Oh snap, guys, have you heard the Swedes are taking us over for the next week? And by that, I mean the people and the movies.
Tonight is the start of Kingsburg Swedish Festival, the popular annual celebration of the culture of Sweden. There’s traditional dancing, smorgasbord, costumes, all that kinda stuff. It runs through Saturday night.
Next Thursday is the ninth Swede Fest, which has nothing to do with Sweden and is actually about movies. It’s an interesting turn of Swedish fate (or maybe a conspiracy?) that these two events lined up in the same week.
Much like YouTube, anybody can upload content to Gotta Love Fresno. Unlike YouTube, the folks behind Gotta Love Fresno invested in our local Internet community, commissioning new, original shows from some faces you’re probably familiar with. (Because it needs to be said: Kudos to Comcast to shelling out some money and getting behind some proven voices, instead of just recycling content.)
Gotta Love Fresno has three clip-style shows that’ll have new episodes weekly:
Very simply, it’s us creating a reason, source of inspiration and a set of parameters to create a film. We’re inviting people to go make a film from the same Germ and then share it with others at our first Germ event on January 26th. Anyone is invited to participate. Filmmakers, photographers…writers, artists…executives, administrative staff…baristas, accountants…if you’ve considered expressing yourself through the medium of film or video, we want to see what you’ve got.
You know, being a new parent is hard enough without having to deal with the pressures of those *perfect* parents around you. Here I am trying to figure out how to keep my eight-month-old out of the dog’s water bowl, and I have people like Nate Smith and Emily Cleaver going around making me look like I’m not nearly as awesome as I could be.
Case in point, this is how Nate Smith teaches his son not to touch things:
What have I been doing with my life?!? At my house, we’ve been trying to teach Baby Oz the word “No,” but that’s not really working as well as it could. So from now, I’m going to yell, “Stop! Hammer Time!” Maybe that’ll help.
Once again, The Beehive is honored to host the semi-regular Swedies, the only semi-legitimate awards covering the Swede Fest.
Swede Fest — the homegrown festival dedicated to low-budget movie remaking — held its eighth event on Saturday, a standing-room-only affair at Full Circle Brewing Co. Swede Fest 8 represented a new height for the festival in terms of attendance, entrants and all around hype. Swedes came from around the Valley, and around the world — France, Australia and New York.
Picking winners for Swede Fest 8 was also the toughest of all the festivals I’ve attended. But below you’ll find what impressed me. You can watch all the films for yourself at swedefest.com, then come argue with me. Oh, one note, for obvious reasons, I’m not considering “The Avengers: Sweded” for any awards. It’s already conquered the Internet. It can live without a Swedie.
To all the rest of the winners: Take a screenshot of this post and make it your desktop image at work, then tell all your co-workers you won a Swedie, then spend the next 10 minutes attempting to explain what the heck that is. Congrats!
The Fresno interwebs patted itself on the back last night at the second annual Frebby Awards, held at Fulton 55.
I’m proud to say that I was among the winners for my work here on The Beehive, so thanks to everybody who reads all my “information.” As a whole, the Fresno blogosphere was well represented among the winners. Here’s the list:
There’s a long list of honorable mentions you can see at The Daily Dues. Congrats to everyone.
Now that all that award stuff is out of the way, I need to say something about the videos. They were great — my favorite part of the Frebbys. The wonderful intro video (see above) was made by Windsong Productions and stars Frebby host Zara Arboleda of CBS 47. Each category had an intro video, created by folks like Dumb Drum and Dead in 60 Years — and those were quite entertaining. Some of them are below for your enjoyment.
This year’s Frebby Awards are Thursday night at Fulton 55, and seven local web-centric companies, services or people are going to walk away with 20-pound statues anointing them as online “standard-setters.”
Who will win? You have to wait until Thursday night’s ceremony — tickets cost $15 and are available here if you want to watch with your own eyes.
For now you can peruse which entries, out of the 60-some-odd submitted, that Frebby judges decided were the best. These 20 scored the highest across all seven categories and are essentially the “finalists.”
I’m talking inside, not outside. On a truly busy weekend, I managed to cram in three events in one day:
Gala piano concert. Olga Quercia and Matthew Horton put on a beautiful duo piano recital of Gershwin songs (plus a nod to Louis Armstrong) at Fresno City College. It was the first big-deal concert to take place in the gorgeously renovated Old Administration Building auditorium. The space is stunning.
Swede Fest 7. Full Circle Brewing Co. was jammed for the 25-Swede extravaganza. Nothing like hanging out with a bunch of Swedes on a warm spring night! (And we’re talking about the amateur depiction of famous movie moments, not the festival in Kingsburg, which is where one person I talked to at the next event I attended assumed I’d gone to when I told her I’d been Sweding.)
“Sing Out, Louise!” A star-studded homage to the music of Stephen Sondheim, this exhilarating concert featured great vocal talent from local theater folks. (More to come, including additional photos by Kyle Lowe, later this afternoon.)
I missed a lot of things, too, including the Fresno Philharmonic’s Eagles concert. I’m curious how that went.
It’s the last week of the year, a perfect time for The Beehive to look back at our favorite moments of 2010.
We’ll have posts each day this week on different topics (our favorite Fresno additions, our favorite releases of the year, etc). We start today with our favorite events of the year.
Check out our picks, then leave your own in the comments.
HEATHER: My favorite event was Swedefest, parts 5 and 6. I submitted a video for each festival; the first was a parody of “Forrest Gump,” the second was “Raising Arizona.” Both films featured my brother James — we had a lot of fun filming them and then having an audience watch the fruits of our labor. And, of course, watching the other Swede entries is always a good time.
Welcome to the third semi-regular Swedies, the Fresno sweding community’s most prestigious award ceremony — that is, until Fresno Mag adds a category to the “Best of the Fresno” awards.
Saturday’s Swede Fest 6 was a standing-room-only hit at Starline, bringing together a wide ranges of ages to marvel at the inventive, low-budget and all around wacky local film-making. There was a full dockets of films — 15 total — with a number of great performances.
Without further ado, here are the Swedie winners. Honorees win the chance to print out this post, highlight their names and put it on their refrigerators. Highlighter not included.
1. SEE SOME SWEDES
Saturday brings us the sixth installment of Fresno’s wacky, magical and homegrown Swede Fest. If you’re unfamiliar, “swedes” are short, low-budget remakes of popular movies made by anybody — from experienced filmmakers to people with Flip Cams. Two other big selling points: the event is free and it’s open to all ages. Below is a special swede that festival organizers Bryan and Roque made to promote their appearance on “Great Day” this week, and it’s a perfect example of what sweding is all about.
So if you’re a local film buff or an aspiring filmmaker interested in hearing an experienced filmmaker (Kelley has had three films released and worked with Gus Van Sant) talk about the challenges of the movie industry, this is your chance. Jon Gann, founder of the DC Shorts Film Festival, joins Kelley in the lecture. To get a better taste, check out this interview that Rick Bentley did with Kelley.
You can buy tickets here for $10, or … you can win a free pair from us. Just be the THIRD commenter on this post to tell us your favorite indie film and you’ll win the tickets. We won’t publish any of the comments until we have a winner. You’re ineligible if you’ve won something from us in the past 30 days. Winners will be notified by e-mail, so leave a real one. Complete rules after the jump.
I had a full Fresno weekend — and the fact the weather was gorgeous made it even better.
On Friday night I went to see the opening of “Time Again in Oz,” the new musical at Fresno State. (I’ll be posting my review by tomorrow.)
On Saturday afternoon it was the annual Fig Garden Home Tour. Ah, the joys of putting on little blue booties and tramping through the houses of people who have a lot more disposable income than I. Best house: a Frank Lloyd Wright-inspired modernist oasis of light on Santa Ana Avenue.
Then, early Saturday evening, it was a packed house at Starline for Swede Fest. My faves: “Back to the Future” (by Luke Moritz & Nick Blanchard), “Chicago” (by Jessika Satori), “Pulp Fiction” (by Kevin Searcy) and “Forrest Gump” (by Heather McLane and James McLane). Most embarrassing moment: When I mistook a woman with red hair sitting in front of me as Heather, tapped her on the shoulder from behind and then pivoted around to face her with a big “Hi, Heather!”, only to discover she was Not Heather. Sheepish, I retreated to my corner and wouldn’t even go to say hi to the real Heather when I spotted her in the audience.
And on Sunday afternoon, I made it out to the last performance of “Havin’ a Hot Flash” at the Tower Theatre, where I was very much outnumbered in the audience by women who have experienced said phenomenon. A review on that to come, too.