Besides tonight’s must-see concert starring that little lady with the giant voice, Kristin Chenoweth …
1. A REBORN DANCE THEATRE OF HARLEM
Fresno will only be the fourth city so far to get to see the newly reborn main company of the Dance Theatre Harlem, which had to shut down in 2004 for economic reasons. The performance is 7:30 p.m. Sunday at the Saroyan Theatre. I give you the whole story in Friday’s 7 cover story. [Details]
Cirque du Soleil fans (and there are a lot of you out there) will get excited about this one: The franchise’s “Dralion” tour will stop at the Save Mart Center for seven performances Nov. 7-11. Here’s a description of the show:
Thrilling more than 8 million people worldwide since the show premiered in 1999, Dralion is the fusion of ancient Chinese circus traditions and the avant-garde style of Cirque du Soleil. The name Dralion (pronounced “Drah-lee-on”) is drawn from its two main symbols: the dragon, representing the East, and the lion, representing the West. Dralion derives much of its inspiration from Eastern philosophy with its perpetual quest for harmony between humankind and nature. The international cast features 52 world-class acrobats, gymnasts, musicians, singers and comedic characters.
Donald wrote a big preview story that appeared in last week’s 7, so read that and get up to speed on the Cirque folks have planned.
Then you can enter to win a pair of free tickets to Thursday night’s debut show. We have a pair of tickets for two lucky Beehive readers. Just leave a comment below to get in the contest. Winners will be selected at random.
Deadline to enter is 10 a.m. Wednesday. Winners will be notified by e-mail, so leave a real one and check it. No repeat comments please. You’re ineligible if you’ve won something in the past 30 days. Rules are on the jump.
Fresno City College’s production of “eurydice,” which continues through Saturday, is a stunning work of theater: handsomely mounted, decisively directed, gorgeously costumed, gracefully acted. It’s one of the must-see local theatrical events of the year.
From the production’s first moments as the house lights dim and a plaintive voice sings the lyrics “Don’t Let Me Go,” to the very last moment of the show, when a major character makes a heart-breaking last gesture before everything slides to black, the show casts an almost hypnotic spell on the audience. Director Chuck Erven has described the play as a cross between Alice in Wonderland and Cirque du Soleil. That’s an apt way to capture the mood he crafts: part fairy tale, part dream, in a brisk, intermissionless, 90-minute run time. It’s the kind of stage experience that resonates on more than just visual and auditory levels. It’s as if you can taste the crispness of this show, stroke its rich textures, smell its musty-yet-modern aromas.