Another Audra McDonald opening on Broadway, another round of stellar reviews. McDonald’s “Lady Day at Emerson’s Bar and Grill” opened Sunday at the Circle in the Square theater for a limited run, and critics showered Fresno’s favorite Broadway star with raves. I liked this one from the Los Angeles Times:
When one recalls Holiday’s sublimely ruined sound at the end of her career, the period in which Lanie Robertson’s concert drama is set, one doesn’t think of McDonald’s soaring, Juilliard-burnished soprano, a gold medal voice still in its athletic prime.
But from the moment McDonald takes the microphone, a metamorphosis more striking than any in Ovid occurs. Gone is the shimmering operatic prowess that powered through “Summertime” in “The Gershwins’ Porgy and Bess,” the last of McDonald’s Tony-winning performances. In its place are Holiday’s distinctive jazz timing and idiosyncratic phrasing, qualities as singular as fingerprints.
I’ve always thought that McDonald had such a distinctive voice that I could recognize her signature style in a nano-second, but, once again, she rises to the occasion.
“Lady Day at Emerson’s Bar and Grill” plays through June 1, so plan those New York trips soon.