My week didn’t exactly turn out as expected. Like so many other people, I was felled mid-week by one of those stupid viruses cavorting around our city– and my work flow was thrown off. I didn’t have the chance to write a local review of an amazingly beautiful film titled, appropriately enough, “The Great Beauty,” which screens tonight only. I’ll leave it my esteemed colleague Kenneth Turan, writing in the Los Angeles Times — and whose review we picked up in today’s 7 section — who describes the film thus:
One of Italy’s most impressive contemporary filmmakers, director Paolo Sorrentino has a superb sense of how to fill a wide screen and, working with his longtime cinematographer Luca Bigazzi, a wizard with camera movement, his visuals display the intoxicating richness of color 35-millimeter film in a way few contemporary ventures can match.
For me, I was tremendously moved by those visuals. (Rome seems to flow into us, and it preens and aches as a big, slightly sad, but still fiercely triumphant, space.) The emotional content of the film is just as striking. In the midst of plenty, we have a knack for wanting what we intuitively sense is missing from our lives.
This Fresno Filmworks offering gets my highest recommendation.