I like "The Wiz." I don't think it's the most polished show of the past year from Good Company because of some weaknesses in vocals and choreography, but this nicely directed production has a heart big enough to be divided amongst an army of appreciative Tin Men. The show has a warm, goofy sensibility that meshes nicely with the 1970s-tripped-out setting of this "Wizard of Oz" adaptation. I've seen shows set in the '70s that felt more like museum pieces than anything else -- look at those weird clothes people used to wear! -- but this "Wiz" doesn't gawk. It gently celebrates the flash and sparkle of an era.
When the original musical opened in the 1970s, it was one of the first shows on Broadway to feature an all-black cast. More folks today are probably familiar with the 1978 movie, in which an obviously too-old Diana Ross snagged the leading role of Dorothy, than the stage musical.
In terms of ethnicity, director Dan Pessano has opted for a more widely diverse approach to casting, and the impact is wonderful. Many of the leading roles are played by black actors, as it should be, but the overall impact is decidedly rainbow. It's a nice, bright, inclusive feeling.






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