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UPDATE 2/8: A Regal manager has told us that complaints should be directed to its corporate Web site. Here's the place you can make a comment.

ORIGINAL ENTRY: In a comment, Beehive reader Dante already asked about the absence of the Regal movie listings, so I figured this topic deserved its own post. Here's a sample call I received today, this one from Fresno Filmworks stalwart Stan Poss:

It's ironic that when three of the best films of the year open, we don't know when they play. Is there any reason why Regal has opted not to publish the times?

The answer: The movie showtimes are paid advertising, and Regal decided to drop those daily ads in The Bee. The other theater in the Fresno/Clovis area, at Sierra Vista mall, is still running its ads. You do have an online option: Check out The Bee's movie index page.

You're also encouraged to call Regal's local managers and let them know how you feel about the decision. In some cases, we've heard, Regal has brought back the ads after local feedback. Here are the numbers:

• Edwards: Hnub (pronounced New) Lor, 447-3247
• Manchester: Lynette Clark, 243-7451
• Clovis Towne: John Fraley, 292-5708
• Broadway Faire: Dean Pugh, 221-6498

Two items related to the recent appearance of the Dance Theatre of Harlem:

OFFENSIVE COMMENT?

Sharon, a reader from Clovis, was troubled by one of Diane Mosier's quotations in my 7 story about the Dance Theatre of Harlem's performance at the Saroyan Theatre. In talking about the multicultural aspect of the company's appeal, I included a comment from Mosier (the artistic director of the Lively Arts Foundation, which brought the company to town) in which she talked about the ethnic bond that exists between black audience members and the performers. Mosier said: "Any time you went to a Dance Theatre of Harlem performance, you could see the pride in the faces of the black people who attended."

Sharon said in a phone-mail message:

I hope if you go further with this that someone interview an African-American person and have them quote themselves. I'm trying not to let [the comment] be racist ... It just sounded so white. I guess Diane Mosier isn't getting the NAACP White Person of the Year award. Probably not. I appreciate her passion for bringing [the company] here, but maybe they ought to have somebody else do the quotes.

My response:

I think this is a case where I could have written the explanatory material around the quote more smoothly. I don't think Mosier's comment was offensive. She was saying that the DTOH has always been strongly identified -- and positively so -- with the black community. Is it legitimate for a non-black person to comment on this bond? I'd say yes. But the quotation does sound a little brittle. I could have added more context. One other thing I'd point out: the majority of the quotations in the story come from company director Keith Saunders, who is black.

The lights come up slowly, duskily, and in the shadowy details it's hard to tell at first exactly what it is we're seeing. One person? Two? Soon it becomes apparent it's a man and a woman dressed in skin-tight lycra. The front of her costume is red and the back a pure black; the color scheme is opposite for the man. Bathed in the spotlight, the couple intertwines in a variety of nimble poses -- including one in which the woman quivers on all fours on pointe -- and as the red and black colors shift with their moves, it almost looks like some extravagant rainforest insect dancing in the sun.

This was choreographer Peter Pucci's "Episode," and it was one of the highlights of Friday's performance at the Saroyan Theatre of the Dance Theatre of Harlem Ensemble.

Mike already has run down some great options. Here are a couple more:

DANCE THEATRE OF HARLEM ENSEMBLE

Direct from New York, this contemporary ballet company plans an eclectic program 7:30 p.m. today at the Saroyan Theatre. I write about DTOH's rejuvenation in today's 7 cover story.